While on a road trip to the country side, a group of students find themselves at a police station, where they learn valuable lessons about history. This is among nine films commissioned by Thailand's King Bhumibol Adulyadej for the 2012 Terdglao Project.

After her husband is killed in an accident at work, Noi has to find a job in order to raise her two daughters who are still teenagers, Val and Vanee. Val has a boyfriend named Ratch, but she has to sell herself to Uttasit in exchange for money to pay her mother’s hospital bills. Uttasit wants more of Val so he goes to look for Val, but he finds Vanee instead. Vanee is pregnant because of Uttasit and dies from abortion. Val wants to kill Uttasit, but before she can do anything, Noi breaks in and shoots down Uttasit and surrenders to the police. Later, Noi and Val find out that Ratch actually is Uttasit’s son.

A 42-minute making-of documentary, "Inside 'Inside Llewyn Davis,'" produced and directed by David Prior. A number of cast and key crew people are interviewed, but, not surprisingly, the Coens, music supervisor T-Bone Burnett, and lead Oscar Isaac dominate the proceedings.

Prison inmate Miles Barrett is ripped awake in the middle of the night by a terrifying crash, gunfire, and the sickening screams of a man being torn apart. Something is loose in the prison - and it's coming for Miles...

剧情细节严格保密。据悉，这是一部超自然惊悚片，讲述了一个人被困于神话生物之中的故事。

An uncredited Jean-Luc Godard produced this 1997 third feature by the singular American independent Rob Tregenza, and along with Hungarian filmmaker Bela Tarr, Godard is certainly a presiding guru over this powerful if enigmatic view of life in and around a psychiatric hospital somewhere in rural, snowbound America. Shot by Tregenza himself (one of the best cinematographers on the planet) in black-and-white 35-millimeter ‘Scope — mainly in extremely long, choreographed takes that transpire with a minimum of dialogue but with an extremely inventive and original Dolby sound track — the film offers not so much a plot in the usual sense as a series of interlocking characters and events governed, like the film’s title, by polarities: sound and image, interior and exterior, sanity and madness, freedom and institutional captivity, society and isolation. According to clues planted in the clothes and decor (especially the cars), the action begins around 1945 and ends in the present or near future, but to confuse matters further the characters and their behavior remain unaging constants. Tregenza’s background in existential philosophy serves him well: every shot comprises an event, and most of them were shot only once, in a single take, allowing change and contingency to shape the material. Art conceived as both adventure and confrontation, Inside/Out requires a certain amount of creative energy from the audience but grandly repays the effort.

Plot details kept under wraps. Described as supernatural-thriller about a person trapped with mythological creatures.

Henry Fonda stars as Col. J. C. Kincaid, crusty patriarch of a Texas family. Kincaid's weak-willed son Floyd (George Grizzard) wants to get into the old man's good graces so that he can develop the Colonel's vast land ownings. Floyd arranges a city-wide celebration lauding Kincaid as the oldest living graduate of a nearby military academy. The festivities serve only to make the already sour Kincaid even more truculent and miserable. Adapted from Preston Jones' 1974 play and originally telecast live from Dallas' Southern Methodist University on April 7, 1980.

Heroes can pop out of their comic books when summoned in this comedic action-adventure.

For employees of the Deep State, conspiracies aren't just theories — they're fact. And keeping them a secret is a full-time job.